CELINA HINOJOSA FINE ART

 Links                                                 

 

 Celina Hinojosa's Art is featured in the following  publications and other linked media  

 

Please note: any Company, Gallery or other Entity not linked to this page,

 which advertises the sales of Celina's work, is doing so falsely.

     Please contact the Artist directly and she will clarify the problem. 

  

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Mission Village Voice

DECEMBER 2016 / VOL. 2 / NO. 12 / MISSIONVILLAGEVOICE.COM


MISSION VILLAGE VOICE is a print publication that focuses on San Juan Bautista and San Benito County and reaches as far north as Santa Cruz and south to Carmel California, reaching all edges of The Monterey Bay. Our content includes human interest based stories and comprehensive calender of events submitted by readers.

On The Cover

La Preparación, courtesy of artist Celina Hinojosa. For a full bio on the artist, see p.10. You can read about her in 'Past Issues' by clicking on the link at missionvillagevoice.com 

- Anne Caetano, Publisher



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 The McNay Museum Presents

ESTAMPAS DE LA RAZA
CONTEMPORARY PRINTS FROM THE ROMO COLLECTION
September 25, 2012 | January 27, 2013

This survey of Mexican American and Latino printmakers chronicles the late 1960s at the outset of the Chicano Movement to the confident expressions of the 2000s. Estampas de la Raza introduces recent gifts to the McNay from San Antonio collectors Harriett and Ricardo Romo. More than 60 prints by 44 artists reveal the richness of a mixed cultural heritage, with depictions of Frida Kahlo, lowriders, the Statue of Liberty, tattoos, and the Virgin of Guadalupe. Organized thematically in five sections, both the catalogue and the exhibition focus on aspects of the Latino experience in the United States: the identity of individuals striving to define themselves; the Chicano Movement’s struggle to achieve economic, political, and personal equality; tradition, memory, and culture in the everyday lives of Latinos; icons that serve as guideposts; and other voices revealing the complex and ever-changing directions Latinos choose. Many images are larger than life, serving up a colorful, visual feast.

Harriett and Ricardo Romo began acquiring art while teaching in Southern California at the height of the Chicano Movement in the late 1960s. As educators, they saw collecting as a means of supporting the artists as well as the movement’s goal of equal educational opportunity in Los Angeles’s school system. Intensely involved with Self Help Graphics & Art, a nexus of Chicano culture in East LA, the Romos bought many prints from the renowned collaborative print shop. After their return to Texas, they continued supporting Latino artists and became patrons of another highly important print shop, Coronado Studio in Austin.

Gifts since 2008 from Harriett Romo, a sociology professor at the University of Texas at San Antonio, and Ricardo Romo, UTSA’s president, now constitute one of the largest donations in the history of the McNay’s print collection, at present totaling 200 works that survey the best Chicano and Latino prints produced in Southern California and Texas in the last four decades. This exhibition celebrates the Romos’ generosity and the unique character, diversity, and richness these images bring to the museum’s American print collection.

For Museum Catalogue contact the Museum Store at www.mcnayart.org


Estampas de la Raza:

   Contemporary Prints from the Romo Collection”

Billed as “the most comprehensive survey of the contributions of Latino artists of post-1960 American printmaking to date,” the McNay’s “Estampas de la Raza: Contemporary Prints from the Romo Collection” comprises more than 60 prints chronicling the Latino experience in the U.S. Drawing from the generous gifts of collectors Ricardo and Harriet Romo, the exhibition covers five distinct themes: “Identity,” “Struggle,” “Tradition, Culture, Memory,” “Icons,” and “Other Voices.” With Warholesque portarits of legends paired with irreverent remixes of Mickey Mouse and the Sun Maid Raisin girl, pop art emerges as a stylistic connecting thread. John A. Hernandez, Leticia V. Huerta, Juan Miguel Ramos, Alex Rubio, Vincent Valdez, Joe Lopez, Michael Menchaca, Rolando Briseño, and Celina Hinojosa do San Antonio proud in a group of 44 artists. sacurrent.com

 


While much attention has been paid to Chicano painting, Estampas de la Raza: Contemporary Prints from the Romo Collection is one of the first books about the vibrant and exciting prints created by American artists of Mexican and Latino heritage in the decades following the Chicano movement of the 1970s. Drawn entirely from a major gift to the McNay Art Museum by Drs. Harriett and Ricardo Romo, among the most important collectors of this material in the United States, Estampas de la Raza is a significant document of the development of printmaking in the Latino community and a stunning survey of many of the best prints to emerge from such influential print shops as Self Help Graphics, Modern Multiples, and Coronado Studios. The book includes more than sixty prints by nearly fifty artists with full biographies of each artist and a discussion of the artists’ approaches to representing the Mexican American, Latino, and Chicano experience. That experience is all here in vivid colors and bold forms—cultural icons such as the Virgen de Guadalupe, Frida Kahlo, and César Chávez; pachucos, vatos, and chicas; the sociopolitical struggles of the Chicano movement and the forging of a new cultural identity; as well as zoot suits, lowriders, Tejano music, tacos, and tattoos. The book is as much a celebration of the rich Latino culture as it is a chronicle of one of the most fascinating, and overlooked, aspects of contemporary American art—the great contribution of Chicano and Latino artists to the American printmaking tradition. utpress.utexas.edu


"Andada Perdida" (She Was Lost / She Wandered About Lost) © 2003.

This piece was commissioned by

Coronado Studio in Austin, TX

and came to fruition through an Artist in Residence Program

as the final piece closing out the 10th Anniversary Series of the Serie Project.

 

Based on the original La Cantinera © 1996

"Andaba Perdida"

Serigraph

© 2003

Print Size 15.5" x 19"

Paper Size 22" x 29"

Each print is composed of 13 color screens

Pulled & Chopped at the Coronado Studio

Limited to an edition of 50 S/N prints

Issued on 290 gram Coventry Rag

Odd numbers reserved by the Artist

Please use the contact sheet at this site for inquiries.


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Arte Tejano - de campos, barrios y fronteras

Smithsonian Latino Center                                                        Fundacion OSDE

OSDE Espacio de Arte  /  Juño 16 - Agosto 13, 2011  /   Buenos Aires, ARGENTINA

Cover, Page Images & Text Coming Soon

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Contemporary Chicana and Chicano Art Book

The result of years of careful preparation, this two-volume work of art covers the artistic production and biographies of nearly 200 individual artists from across the United States as well as Chicano/a artists residing in Mexico and elsewhere. Produced with the support of the Center for Latino Initiatives of the Smithsonian Institution. This full-color, coffee-table-quality set of books is available through the The ASU-Bilingual Review Press. www.asu.edu/brp

Above Images: Top (R-L), Two Volume Covers, "Reyna's Cantina" Back Cover Vol.1 

                              Bottom (R-L), Celina Hinojosa's Biographical Spread (additional pages

                                       and images not shown).

♦ Winner of the 2003 Independent Publisher Book Award ♦

Available at Bilingual Review Press, Hispanic Research Center, Arizona State University,

  PO Box 875303, Tempe, AZ 85287-5303 • PH# (480) 965-3867  

 

 



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Chicano Art for Our Millennium:

Collected Works from the Arizona State University Community

This beautifully produced book showcases more than 120 works of Chicana and Chicano art and provides a good representation of the art movement for general readers as well as students. Created in part as a catalog for the 2004 exhibition of the same name, the book is also designed to serve as a useful tool for teaching Chicana/o art from the elementary grades through graduate school as well as for the novice adult. Art aficionados will relish the striking full-color images in this coffee-table-quality volume. 

Image by: Celina Hinojosa "Reyna's Cantina" (additional images not shown). 

Available through The ASU - Bilingual Review Press. www.asu.edu/brp 

  



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Triumph of Our Communities:

Four Decades of Mexican American Art

With more than 600 full-color images, this book celebrates the art organizations that have promoted Mexican American art and served as art education centers for their communities. Their efforts have produced a significant body of collectible works that inspire through artistry. Vividly showcasing many of these works on generously sized pages, this coffee-table book is the fourth volume in the series that began with the award-winning Contemporary Chicana and Chicano Art: Artist, Works, Culture, and Education. Published 2005.

Image by: Celina Hinojosa, "Ranchito Unión", opening pg. i,

     (additional pages and images not shown).

Available through ASU - Bilingual Review Press. www.asu.edu/brp  

 

 



International

Latina/o Arts Festival

April 2005

Scottsdale Tempe  Phoenix  AZ

Poster Image by:

Celina Hinojosa


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Yo soy/I am:

Chicano/Latino Artists

in Historical Context 2 & 3:

The San Antonio Gallista Community

As part of the Arizona State University Hispanic Research Center's ongoing project to document the work and careers of Chicana/o artists, the Yo soy/I am DVD series features interviews with those who have made significant contributions to their communities and Chicano art.

The two DVDs comprising Yo soy/I am: Chicano/Latino Artists in Historical Context, The San Antonio Gallista Community focus on artists affiliated with Gallista Gallery, a community art space that has helped to revitalize a once-downtrodden neighborhood in San Antonio's South Side.

Yo soy/I am: Chicano/Latino Artists in Historical Context 2 features interviews with Gallista owner Joe L. López, Deborah Vasquez, and Xavier Garza, and Yo soy/I am: Chicano/Latino Artists in Historical Context 3 includes José Esquivel, Luis Guerrero, Celina Hinojosa, and Roberto Sifuentes. The seven artists, in separate interviews and locations, describe their influences, inspirations, and philosophies on art and life.   



Chicano and Chicana artists celebrated at Gallista Gallery

By Peter Moralez - Contributing Writer/Southside Reporter  
Web Posted: 09/17/2009 12:00 AM CDT
 
Screenings of a new documentary titled “Yo soy/ I am: The San Antonio Gallista Community” was simultaneously held at Gallista Gallery on Flores Street and the Fine Arts Theatre at Palo Alto College between Sept. 10 and 12.
 

“Gallista has proven to be a hotbed of Chicana and Chicano art. This one gallery alone has provided the community of San Antonio, as well as the United States, an opportunity to experience relevant and poignant art.”

said Melanie Magisos, Executive Producer of publishing and production for ASU-HRC.

“The artists featured in this documentary have dedicated themselves to depicting the cultural aspects of Chicano life through the various mediums of their art.”

All seven of the artists featured in the documentary display their works at the Gallista Gallery www.gallista.com . In addition to Lopez, the artists featured are Deborah Kuetzpalin Vasquez, José Esquivel, Luis “Chispas” Guerrero, Celina Hinojosa, Xavier Garza and Roberto Sifuentes.

To obtain the two DVD set of videos premiered in San Antonio, call Arizona State University toll free at (866) 965-3867 or contact them through their Web site at www.asu.edu/brp . 

 

 

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 2008 Chicano Art Wall Calendar by Amber Lotus

In Coordination with Bilingual Press, Amber Lotus is proud to present the Chicano Art 2008 wall calendar, showcasing the works of contemporary Chicano and Chicana artists. These Works bring into sharp focus the rich diversity of an art movement that is now achieving full recognition in the art community at large. This lavish and comprehensive collection features art from established masters as well as emerging artists, on themes that include community values, borders and biculuralism, spirituality, personal feelings and shared experiences, cultural icons and nontraditional representations. Caption material appears in both English and Spanish.

" Chicano art is powerful...it has the ability to reach across ethnic groups and class lines, to captivate greatly diverse viewers... Chicano art is distinctly American Art. The time has come to place Chicano Art within the context of American Art History."    

 -  Thomas Wilson, Mesa Southwest Museum, Arizona

Artists included in this Calender are (in order by month): Santiago Pérez, Cristina Cárdenas, Alfredo Arreguín, Celina Hinojosa, Malaquías Montoya, Carlos Frésquez, Nephtalí De León, Raphael López, Ray Martín Abeyta, Pola López, Ester Hernández & María Ameida Natividad.

Amber Lotus Company was founded twenty two years ago with the mission of illuminating spirit in the world; it is within that vision that this first in a series of Chicano Art Wall Calendars was born. Look for this series of wall calendars at your local bookstores early - as they tend to fly off the shelves, or contact Amber Lotus Publishing Company at, www.amberlotus.com 

 

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University of California,

Santa Barbara

Center for Chicano Studies

Teatro de las Américas 

Play-writing Contest Call for New Plays

Winning Play was staged as a workshop production at

UC Santa Barbara during the Summer of 2004

Director of project:  Dr. Carlos Morton  - Professor, UC Santa Barbara-Department of Theater and Dance 

Poster Design:  Dr. Guisela Latorre

Image by: Artist Celina Hinojosa

www.chicst.ucsb.edu/center


 

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                                                          The Best of Serigraphy in the Heart of Texas!

   

Coronado Studio And the Serie Project    


Andaba Perdida   (Serigraph) Product of an Artist in Residency Program © 2003   Coronado Studio was born in 1991, when Sam Coronado rented his own personal painting space at 1504C E 5th Street. A trip in 1992 to Self-Help Graphics, a community art center in Los Angeles, inspired Coronado to create a printmaking studio.

There are very few printmaking studios in the United States, and he believed that converting his space to one devoted to serigraph (silk screen) printmaking would make the technique more readily available to artists. Hoping to attract more artists, and especially Latina/o artists, to the medium, Coronado founded the
Serie Project, and began inviting artists to come to Coronado Studio to create editions of serigraph prints.

Coronado Studio stood next to Café Mundi from 1991 to 1998. In 1998, Coronado Studio moved to its present location at 901 Vargas, in East Austin’s Montopolis neighborhood. You can contact The Serie Project at:
www.CoronadoStudio.com


 

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A Canvas Story-Teller

Celina Hinojosa and her Passion for Painting



"Colorful, traditional and inspirational is what best describes Celina Hinojosa's painting style. Celina, a self-made painter from Brownsville, Texas, found her true calling after a not so memorable recital at the tender age of thirteen." FEATURE STORY, (Pg. 12-14), Interview & article by Javier Colmenero. Photos by Brad Dougherty. All Rights Reserved ¡Salsa! Texas Magazine